Entries Tagged as: synchronicity

Moving with the Full Sturgeon Moon

August 6th, 2009, Comments (11)

full sturgeon moon

Last night and tonight are the evenings of the Full Sturgeon Moon. I've come to enjoy making mixed-media vision boards to celebrate along with Jamie Ridler's Full Moon Dreamboard group. For this one, I drew a sturgeon fish, with four moon-like bubbles coming off it. Within the circles, I pasted small circle cut-outs that represent elements I want to bring into my life.

I love that this moon was named for a fish. The other day, Havi posted an exercise from Barbar Sher's Wishcraft in which you choose a favorite color and then list your qualities, speaking as that color. I chose the color blue (go figure, right?) and I wrote:

I am blue.
I am fluid, flowing, calm, yet strong.
I am life. And I am full of life.
I am clear, not just transparent, but clear as in clarity.
I am intuitive. I know things. I trust what I know.
I am gentle, soft, mothering.
But I am also a powerful force. Don't forget it.
I am healing, I hold space, I hold others with love

Among the qualities I listed was fluidity. I realized that I had a strong desire to bring a deeper sense of effortless flow and ease into my life. When I saw that the full moon this month was named after a fish, I knew I had to make a dreamboard around it, something with flowing water to represent the fluid motion that fish, water, and the color blue has; the same fluidity I want to call forth.

I'm also loving how the fluid fish and water fit in with the move theme for the Creative Every Day Challenge this month. (I'm really vibing with this theme!) I'm having little a-ha moments all over the place. I'm noticing the way I'm moving energetically in my life and realizing where I can make adjustments. It's exciting.

How are you moving energetically in your life right now? Is your energy more anxious and frenetic? Does it move in waves like the ocean? Is it more like a still lake?

How would you like to moving through the world? Perhaps you could make a piece of art or write about what energy you'd like to embody more of. Or perhaps you could practice one small movement in the style of energy you want to live in.

Just noticing how you move through your day might be a place to start. In this moment, take a breath and check-in. What's your energy like right now?

Whale Tales

May 30th, 2009, Comments (16)


After writing the other day about the "Dive Deep" painting and the synchronicity with the whale tail in it, I was lying in bed pondering what whales mean to me and thought back to other times I've painted whales. I had an "Oh!" moment when I thought about the piece, "Fishing." This piece consists of a woman in a boat on the ocean in front of a full moon. Beneath her a whale is swimming and its tail has come up out of the water. I describe it in my shop like this:

In this image, a woman is casting out, reaching out for support and the whale's tail shows up to let her know that even though she can't always see it, she is supported always.

This is a spiritual image for me. The whale represents the unseen, the divine, the Universe, whatever you want to call it. I didn't write this in the description, but I thought of the whale's tail as symbolizing those moments I call "winks from the Universe." Winks often take the form of synchronicity or moments that are just too juicy to be coincidental.

If I see the whale's tail as a personal symbol of a divine wink or synchronicity, then the tail in "Dive Deep" makes even more sense. When I start experiencing a lot of synchronicities, I get this sense that I'm headed in the right direction. So in the "Dive Deep" painting I can see the tail as a sign to the woman diving that she need not worry, she's right on course.

Speaking of synchronicity, when I was working on the "Dive Deep" painting, I mentioned that I'd was painting a whale on Twitter and Jennifer Louden kindly recommended I read, People of the Whale by Linda Hogan. I haven't been reading a lot of fiction lately, but I couldn't resist a title like that, so I requested it at my local library. Well, it arrived on the day I finished painting "Dive Deep," but I wasn't able to pick it up right away. I hadn't painted the octopus into the painting when Jennifer recommended the book. It appeared after the whale.

I was finally able to pick up the book this afternoon, opened it up, and the first chapter is titled, "Octopus." I grinned reading it. The first paragraph tells the story of an octopus that "left the water and walked on all eight legs across land and into Seal Cave." Oh yes, and on the cover of the book there's a painting that includes a whale's tail jutting out of the ocean.

As an interesting aside, my great-great-great (not sure how many greats) grandfather was a whaling captain in Maine. Makes the whole whale connection even more interesting and significant to me. Oh and there's more sound synchronicity: Hogan's book is also mentioning songs: Songs to the ocean, songs to the whales. In the Native American tribe the author writes of, women used to sing the whales toward them.

Tonight, I'm feeling frustrated with myself for taking a bootcamp exercise class this week. I was sampling it, hoping to use it to kickstart a workout routine this summer, but oh my, bootcamp classes are SO not me. Fortunately, I'm listening to my inner voice that's telling me not to continue with that class. Yes, I'm feeling a bit sad about the damage I did to my feet in the process (old plantar fascitis cropping up. ugh.) But even though I'm feeling a bit bummed out about how my body is aching, I'm happy for the way I'm learning to listen to my intuition more and more quickly. (In the past, I might have continued on with the class despite knowing it wasn't a good fit.) And tonight, I'll be kicking up my sore feet and and diving deep into this new book.

Wishing you many winks from the Universe!

Dive Deep – Talking to the Animals in Your Art

May 29th, 2009, Comments (14)


I wanted to be sure to talk about animals in art during the month of Nature for the Creative Every Day Challenge and this painting I've just finished provided a perfect opportunity.

I've had certain animals pop up in my life during different times. Sometimes, I'll actually see them everywhere (as I did with crows for a time) and other times I'll dream about them, draw them in my sketchbook, or see their images all over the place. If they start showing up in my art, that usually grabs my attention. I may just enjoy their presence in my art or I may do a little research on what they've meant as symbols in other cultures. Reading about the symbolism of animals can be a fascinating way to dive deeper into explorations about what these creatures may mean in your life.

I just finished up this underwater painting called, Dive Deep, which I'm really loving. The image came to me intuitively, but as I painted it grew and changed. A whale appeared, as did an octopus. Even though only the whale's tail is showing, I imagine this woman is swimming with the whale.

Today, as I snapped a couple pictures of the painting, I felt a strong urge to look up whales in the book Animal Speak. I got all teary with the synchronicity of the first line summary of what whales represent: "Creation, Power of Song, Awakening Inner Depths." This touched me in ways I can't quite explain, but I can say that the piece about the power of song is resonating so strongly with me as we move into the month of Sound for the Creative Every Day Challenge. There's something here for me around the power of your voice, communication, giving voice to your soul. 

In Animal Speak, Ted Andrews writes about whales, " By drawing upon your own creative instincts, you can sing forth your own song."

This reminds me that even though you can get all sorts of fun, juicy information from books and other sources, when it comes to looking at animals that show up in your creations, it can be just as, if not more juicy to look at what these symbols mean for you. You could do some dialoguing in a journal and ask your animal symbols something like, "Whale, what are you here to teach me? What is it you want me to know? What do you represent in my life?" Write freely without judging and see what comes up. Alternatively, you could simply explore their meaning by allowing these animals to enter into your art and express themselves in that way.

The octopus in this piece came as a surprise to me. I later read that the octopus is related to the image of a spiral (I'm so drawn to spirals) and is also connected with the moon and astrological sign of Cancer (which I am.)

I love the way synchronicities pop up when I allow images to come from my intuition. It's a beautiful thing. Essentially, this image is about diving deep into the dark places. It's nice to have some animal guides to help me along.

Are there any animals showing up in your life or artwork right now? Do they have meaning for you? If you asked them what they're here to teach you, what would they answer?

p.s. I was recently interviewed for Chris Guillebeau and Zoe Westhof's ebook, The Unconventional Guide to Art and Money which explores how artists are making a living online. Check it out for yourself right here!

p.p.s Listening and Underwater Tea Party are now available in the shop!

Diving Into Water Art

May 13th, 2009, Comments (20)

work in progress, dive deep

One of my favorite natural elements is water. It soothes and calms me in a way that I can't quite explain, but just know deep down. I can sit by a lake, river, or the ocean and immediately feel this rush of peace fill me up. I was inspired earlier this week to begin a painting with water in it, which made me think of the nature theme going on this month for the Creative Every Day Challenge.

I hadn't been thinking of nature in terms of the elements, there are so many ways to interpret the theme, but it could be fun in the future to divide the month up, so that each week focused on a different element. Maybe another year!

I mentioned on Twitter that I had to put aside something I was working on to begin this painting which was just itching to get out. Sometimes a bit of inspiration will come tapping on your shoulder and if you put it off, it will start tapping softly, then more vigorously, and then it will practically beat you senseless until you do something about it. So, yesterday, I began by laying down a collaged background on a tall, skinny wooden panel that I'd gessoed up first. I collaged layers of maps, architecture plans, textures, patterns, graph paper, and other bits. I chose the items intuitively based on the idea that is already in my head for this piece, which is diving deep. I've still got more to do with this piece, but I thought you might like to see it in progress.

In a bit of synchronicity, while on a walk today, I came upon a gorgeous lake that I didn't know about. There was on old stone bench in the cool shade where I was able to sit and watch the little windswept waves lap at the shoreline where two dogs displayed their Spring wildness and their owners picnicked in the grass nearby.

So lovely, so peaceful.

I felt surrounded by the elements then: the fierce hotness of the sun, the wind blowing my hair around, the tree branches shading me above while little bell shaped flowers played near my feet, and the sparkling water stretching out ahead. What could be better? How do the elements inspire you? Are you drawn to one more than another? Why do you think that is?

Perhaps you can play a bit with you favorite element in a bit of art or journal about the elements. Perhaps a poem will come tripping out or a short story. Keep your eye out for the elements this week and see what they might have to share with you.

Painting a Full Pink Moon Dreamboard

April 9th, 2009, Comments (27)


I am quite fond of the moon and it turns up quite a bit in my art. When I heard that this full moon is called the Full Pink Moon, I thought how perfect that I'd just painted a big pink painting in my Intuitve Painting class on Monday

The lovely Jamie Ridler leads a full moon dreamboard challenge on her blog and I wanted to participate in this one. All the dreamboards (or vision boards) I've created in the past have been with magazine images, but I thought it might be fun to paint a dreamboard using the big pink painting I'd created as the base. First, I drew a little sketch intuitively, focusing on what I wanted to see bloom in my life. I drew a girl soaring, a girl peacefully sitting in a flower, and a house. At the bottom I wrote blossom and bloom with two more lotus-like flowers. And then I brought that sketch to the big pink painting (it's 18"x24") and used it as the background for the scene that unfurled. The clouds sort of came as I went along. I can't tell if the soaring girl is hanging on the clouds or pushing them up into the air. I may work on this further, but I wanted to get it up tonight.


What is it that you are wanting to blossom and bloom in your life? Could you use a colorful painting as the base for a dreamboard?

Intuitive Art and Committing to your Creativity

April 7th, 2009, Comments (26)

intuitive art blue in red

Last night I attended the first of a series of Intuitive Painting classes I signed up for. Before the class started, I received an email from the teacher saying that the first class was going to be all about color. I laughed at the synchronicity of it, considering this month's theme for the Creative Every Day Challenge is color!

The first class was a feast for the senses. Each student was given a packet with a scent in it and then we were asked to create a color based on that scent. Mine was a yummy spice and the color I created was a warm reddish-brown. We all shared our colors and then used our color, along with the color of a classmate, to simply play with paint. I let my paint drip and run at first. We painted very quickly, so each of these pieces could be developed with further (all except the one directly below are 18"x24") or used as the beginning of a painting later on. The idea in moving quickly is to kick out the inner-judge and get painting, to try new things, to experiment. The first piece (below), created something that looked a bit like a face.

intuitive art face

In the next piece, we used the first two colors, plus one more. The result of that one is the first image in this post. It was fun to play, to splatter, spray, scrape, and smoosh paint and just see what happens. In the next piece, we added one more color, using something a little unusual for us. I don't use a lot of yellow, I tried adding that to the piece below.

intuitive art drips

We quickly moved on to the next, where the teacher encouraged us to paint with colors that we have a strong feeling for (like or dislike). I'm not a big fan of pink (I paint with it pretty rarely, so I just went nuts with the pink paint and added some yellow too.) As you can see, Emma especially liked that one.

intuitive art pink emma

It was a fun class and I'm looking forward to doing some more playing next week!

One thing that's great about signing up for a class like this, is that it gives you a set time each week, when rain or shine, you're going to honor your commitment to create. And yes, signing up and paying for it is helpful in getting me to actually show up at the specified time and place. How do you make commitments to your creativity? Here are some of the things I do:

*I participate in challenges (like the Creative Every Day Challenge) to help keep me focused.

*I get support (like my wonderful coach, Kathy who just started her own blog!).

*I take classes, online and in-person.

*I show up to create even when I'm not feeling inspired.

*I schedule time for creative projects I want to see fulfilled (literally picking days and times and putting them in my calendar!)

*I take time off to rest and re-fill the well. (We all have creative cycles.)

*I ask for help when I need it. (This one can be hard for me, but I'm working on it.)

*I find inspiration everywhere.

*I use a theme word for the year (Leap!) and keep it posted in front of my desk to remind me.

How do you commit to your creativity?

p.s. One of the reasons I started offering Art Picnic teleclasses was because I know that having a set time on your calendar to focus on creating is incredibly helpful in maintaining a creative practice. Want to make a date with your creativity? Join us on the 25th for the next Art Picnic workshop!

De-Cluttering to Find Your Flow

March 20th, 2009, Comments (19)


Today is the first day of Spring. Aaaaaah! (That was me singing angelically.) Just writing that puts in a little skip in my step. Longer days, warmer weather, and soon things will start sprouting green everywhere. Hooray! One thing I can say about winter in New England, it makes you really, really appreciate when Spring comes around. Granted, it is New England, so we could get whopped with a snow storm tomorrow, but still, Spring is here.

Spring and cleaning seem to go together. It's a time to shed the winter skin, the many layers, and all the accumulated dust and clutter that built up over the colder months.

I have to admit that I'm not a fan of cleaning. Neither is the hubster. We're both messy. Years ago, instead of continuing to argue about how he never took his turn cleaning the bathroom, we decided to hire someone to come twice a month to do the hardcore cleaning for us. Best decision we ever made. O.k., that may be exaggerating a tad, but seriously, it was a great decision. I knew the woman who does the cleaning for us already because she cleaned the house of the family I used to nanny for. I knew she was trustworthy, kind, and did a great job. I also knew that she sent most of her money to her mom in Columbia. So, it works out great for all parties.

Sometimes, even though you CAN do something (of course, I'm fully capable of cleaning), that doesn't mean you shouldn't hire someone to do it for you. It's all about setting priorities and knowing how you want to spend your time and money. 

So, while I'm not about cleaning right now, I am all about de-cluttering...a different sort of cleaning that may seem like a boring task, but is actually all about creating space for the things you want in your life: your business, your projects, your art, your creativity, etc...

It's perfect timing (again) that this week's chapter in The 12 Secrets of Highly Creative Women, which I'm reading with Jamie Ridler's fabulous book group, is all about the Power of Subtraction. I loved this quote at the beginning of the chapter:

The first step in starting an enterprise is to clear the space for it, or till the ground. This clearing process is a must....We like to think just forging ahead is going to be enough to start, but when you run into gnarled old roots where your new plants need to grow, you've got problems. - Barrie Dolnick, Simple Spells for Success

Author Gail McMeekin talks about the Power of Subtraction in this way:

Here I encourage you to get rid of everything you neither need nor want in your life. This includes anything from old sneakers to outmoded dreams. To create a life of positive choices, you must let go of whatever blocks your creative zest.

This is a great continuation of the idea of positive priorities that I wrote about last week. And I think it also relates to allowing a sense of flow in your life. What blocks your creative flow? How can you remove those blocks in a way that is managable for you?

If clutter is a block for you, what one small step can you take? What teeny tiny step will give you a increased sense of ease in your life?


I like to imagine my clutter clearing is like this fence and I'm slowly opening more and more bars to uncover the river underneath.

I seem to be all about water lately. Wednesday I took a long walk and did some journaling by a river. Water seems to be such a great source of calm and inspiration for me. And today, my piece Lady of the Lake (below) is up at artist, Cathy Nichol's blog for her Found Art Friday project! I just added prints of this piece to my shop, which you can read more about and purchase here.



- Be sure to check out Jamie's latest interview with professional organizer, author, and mentor, Sunny Schlenger.

- You can also sign up for the free book group celebration call that's happening, Friday, April 3rd, here.

Dreaming of Bears

March 11th, 2009, Comments (7)

bear dream

The retreat was great. A wonderful combination of relaxing and inspiring. I got there the day before the retreat began to do a little unwinding and getting centered. I'm glad I did because all the travel exhausted me. I stayed the cutest little loft room (that I had to climb a sort of ladder to get into.) Fortunately I'm super short, so I could just stand up in it. It felt like I was tucked in a treehouse and I loved that.

I spotted Animal Speak on a bookshelf in the hall and took it up to the loft with me to look at. I'd just been talking about the book with my coach, so it was funny to see it there. And I'd been wanting to read over the part about spiders after I had that spider dream recently. I rested in bed, reading and journaling, and drifted off into a lovely nap.

I dreamed that the hubster showed up at the retreat and I had to tell him that it was an all-women retreat, so he couldn't go inside. We pitched a tent together outside the house and we were sitting in it, when I looked down the road and saw a huge bear coming down the road towards us. There was an old man under a tree near us. I turned to him and asked if we should be running into the house. But he said not to worry, that we didn't have any food, so the bear wouldn't bother us. Then a drunk man came out of the woods and started harrassing the bear. The bear was pushing him away, trying to ignore him, but the man kept coming after the bear and eventually punched the bear in the face. The bear then lost its temper and bit the man. It was a very vivid dream and I woke up remembering it fully.

Later that night, I turned to Animal Speak to read about what bears symbolize. I learned that the bear has ties to the subconscious and unconscious mind. It is associated with Diana, goddess of the moon. It teaches you to use your inner resources to find your answers within. It teaches you to make choices from a position of power. Bears are often associated with trees, an ancient symbol that is like an antenna connecting heaven and earth. Trees remind us bring what we awaken into the world and to make our marks with it.

The things I read about the bear, it's connection with trees and the moon, and the bits about what it has to teach, were so relevant to me. I did some writing about the dream, which I think I'll share later on. It's interesting how focusing on dreams this month for the Creative Every Day Challenge, has brought such powerful dreams! It just goes to show you that what you focus on expands.


The next day, I had an amazing massage in a cute little boathouse (above) with an incredibly talented, nurturing therapist. While my face was down and looking through the head-rest, I opened my eyes and laughed to myself because within the rug pattern below, the shapes looked like a bear standing in a river with a crescent moon and birds flying by. That's where the image I painted above came from. After the massage, I drew a little sketch of what I saw and knew that I wanted to paint the bear in this way. I painted it today in acrylic and ink on watercolor paper.

I have more to share on the weekend later, but in the meantime, some fun links to check out:

- Spark, art from writing: writing from art is now online sharing the paired up artists and writers and what they created in response to eachother's work. Mine is here!

- Rainn Wilson (Dwight on The Office) has a new website called SoulPancake that is all about creativity and spirituality. Very cool!

- Need a pat on the back? A boost? A job well done? Check out my pal Jim Doran's new website, Hey Good Job. Love it.

Interview with Robert Moss

March 3rd, 2009, Comments (21)

consciousdreaming cover

When I imagined doing the theme of "dreams" for the Creative Every Day Challenge, author, Robert Moss immediately came to mind. I'm so thrilled to be able to share this interview about dreaming and creativity with you!

My interest in dream imagery stems from the fact that my dreaming is quite vivid and I often get a lot of ideas for art there, but the typical dream interpretation books never made much sense to me. Robert Moss's book, Conscious Dreaming was recommended to me by CED participant, Kelly, who found me through a bit of synchronicity and my post about a lynx dream. I deeply resonated with Moss's discussion of dreams and finding the meaning in your own symbology.

Since deciding to contact Moss, his work has been turning up everywhere! An article by Moss was in a free magazine I just happened to pick up at the beginning of the month and then this week an acquaintance emailed me a link to a podcast interview with Moss that she thought I would enjoy. Synchronicities are an important topic in Moss's work and I love his discussions about them. I hope you enjoy this interview with Moss. Be sure to check out his website, his online dreaming courses, and his latest book, The Secret History of Dreaming.

LPK: Have you always been a vivid dreamer?

RM: In my early boyhood in my native Australia, my dreams got me through crises of illness and I had indelible dream visions of traveling to worlds beyond ordinary reality. I learned from Aboriginal friends that our personal dreams can be portals into the Dreamtime, the source of ancestral wisdom, creativity and healing. I did well in exams at school, in part because I used to dream exam questions ahead of time. I started keeping a dream journal in my teens and often turned my dreams into poems, drawings and paintings.

LPK: How does dreaming impact your creativity? 

secret history of dreaming cover

RM: My seven nonfiction books on dreaming and imagination have flowed almost seemlessly from my dreams. My dreams also give me scenes, plot ideas, characters and dialogue for my novels and sometimes the whole of a short story. Sometimes I wake (as Charles Dickens told a doctor he used to wake) with the sense of wave upon wave of words moving through me, and I write with these rhythms rather than from specific dream content. Even more than from sleep dreams, I find my creativity is released in in-between states of reverie, daydream and hypnagogia (between sleep and waking, or vice versa). These liminal states, as I suggest in The Secret History of Dreaming, have been the "solution state" in which creative breakthroughs have been made in many field - in science and invention as well as in literature and the arts.

LPK: Do you think there's a certain amount of playfulness involved in interpreting your dreams and experiences with synchronicity?
RM: At one of my first public lectures on these themes, a very earnest fellow asked, "Bottom line it for me - what is all this about?" I said, very distictly, "Remember to PLAY." And he wrote it down. I'm not sure he really got the point. We do our best work in a spirit of play, and my work as a teacher and writer is essentially to encourage people to play better games.

To harvest messages from dreams and coincidence, you need to develop a talent for resemblances - for noticing what looks like or sounds like something else. If you have an ear for puns, you'll pick up messages in a dream that others may miss. If you have a playful sense that the universe is alive, and that unseen forces may be at play around you and with you - giving you a secret handshake, or mussing your hair, or sometimes pushing you back - then you'll come alive to the great art of navigating by synchronicity.

LPK: I know people who say they do not dream or at least they don't remember their dreams. What suggestions do you have for people wanting to tap into their dreams?
RM: The new science of dreaming confirms that everyone dreams every night, in four to six cycles of REM sleep (when the eyes are moving under the lids) and in other sleep phases too. Anyone who says "I don't dream" is just saying "I don't remember".

If you want to break a dream drought, here's how to begin:

- Before you go to bed, write down an intention for the night. You might ask for guidance on something or simply say, “I want to have fun in my dreams and remember.” Make sure your intention has some juice. Don’t make dream recall one more chore to fit in with all the others.
- Having set your intention, make sure you have the means to honor it. Keep pen and paper (or a tape recorder) next to your bed so you are ready to record something when you wake up.
- Record something whenever you wake up, even if it’s at 3 a.m. Sometimes the dreams we most need to hear come visiting at rather anti-social hours, from the viewpoint of the little everyday mind.
- If you don’t remember a dream when you first wake up, laze in bed for a few minutes and see if something comes back. Wiggle around in the bed. Sometimes returning to the body posture we were in earlier in the night helps to bring back what we were dreaming when our bodies were arranged that way.
-If you still don’t have a dream, write something down anyway: whatever is in your awareness, including feelings and physical sensations. You are catching the residue of a dream even if the dream itself is gone. And as you do this, you are saying to the source of your dreams, “I’m listening. Talk to me.”
LPK: I love how you use synchronicity as guidance in your life. For those wanting to experience more of this kind of guidance, what would you recommend?

Three Only Things cover

RM: You'll find lots of coincidence games, and Moss's Laws for Navigating by Synchronicity, in my book The Three "Only" Things. I'll just mention just one everyday game for now. Think about an issue in your life on which you need guidance. Get this clear and simple ("I would like guidance on......") and write it down. Then as you go about your day, be open to the idea that the first unusual or striking that enters your field of perception is a direct answer to you from the world. It may be the vanity plate on the car in front of you, or a snatch of conversation, or a deer on the road.

LPK: I dream paintings sometimes, but I often have trouble remembering them fully when I wake up. Do you have any tools for remembering dream images?
RM: I find that often dreams come back later in the day, especially under the shower or when an incident in waking life starts to call up a forgotten dream incident.

Remember you don't need to go to sleep in order to dream. You can enter dreaming from a quiet place of meditation, from the twilight zone between sleep and waking, or through shamanic drumming. You may want to check out my drumming CD, Wings for the Journey. You can take a favorite picture and use it as a personal dreamgate. Imagine yourself stepping behind that line of trees in the landscape painting, for example, and having an adventure on the other side. Or take a favorite piece of music and let yourself flow with it into a series of dreamlike scenes.

LPK: What are some of your favorite dream resources?
RM: The most important book on dreams you'll ever read is your own dream journal. I offer workshops and classes in dreaming and navigating by coincidence all over the map, and my events calendar is at my website www.mossdreams.com. I also have a lively blog, www.mossdreams.blogspot.com.  I have published seven nonfiction books on Active Dreaming - my original approach to dream exploration and healing - starting with Conscious Dreaming and including, most recently, The Secret History of Dreaming, which describes how dreaming has been the secret engine in great lives and great events across all of human history. I have also produced a video workshop, The Way of the Dreamer (Psyche Productions) and an audio series Dream Gates: A Journey into Active Dreaming (Sounds True).


Thank you, Robert for taking the time out of your busy schedule to share your dream wisdom with us! I hope that this interview has inspired you to get playful with your own dream imagery. Sweet dreams!

Art From Writing

February 22nd, 2009, Comments (14)


This month, I participated in Amy Souza's Art from Writing: Writing from Art project, where artists and writers were paired up to share a piece of writing or art, with the theme of "hope," as the jumping point to inspire a new creation. I was paired up with a writer, Melian, who sent me a poem to work from, and I sent her a picture of my painting, Lighthouse which speaks to the idea of hope to me. 

I often get inspiration from the written word, so I was excited to dive in. I did get a bit frustrated when I got stuck about mid-way through the process. I was fighting the direction the piece was going and things never go well when I push against the flow. But after letting it sit overnight, I was able to come back to it with new perspective. I made some adjustments, cut some parts away, went with the flow, and found the finished piece. I'm calling it "Albatross" and it's about 12"x12" with collage, ink, and acrylic paint on watercolor paper.

I think the word "often" that showed up in the bird's belly has to do with seeing signs, little winks from the Universe, and the feeling I get that I'm headed in the right direction when I start to see a lot of them in a short span of time.

Tomorrow I'll be posting about the Creative Every Day Challenge's (totally optional) theme for March and I'm so excited to share this one with you! It's one of my favorite sources of inspiration.

I hope your weekend was a wonderfully creative one!